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In the last quarter of the fourteenth century, the complete Old and New Testaments were translated from Latin into English, first very literally, and then revised into a more fluent, less Latinate style. This outstanding achievement, the Middle English Bible, is known by most modern scholars as the "Wycliffite" or "Lollard" Bible, attributing it to followers of the heretic John Wyclif. Prevailing scholarly opinion also holds that this Bible was condemned and banned by the archbishop of Canterbury, Thomas Arundel, at the Council of Oxford in 1407, even though it continued to be copied at a great rate. Indeed, Henry Ansgar Kelly notes, it was the most popular work in English of the Middle Ages and was frequently consulted for help in understanding Scripture readings at Sunday Mass.In The Middle English Bible: A Reassessment, Kelly finds the bases for the Wycliffite origins of the Middle English Bible to be mostly illusory. While there were attempts by the Lollard movement to appropriate or coopt it after the fact, the translation project, which appears to have originated at the University of Oxford, was wholly orthodox. Further, the 1407 Council did not ban translations but instead mandated that they be approved by a local bishop. It was only in the early sixteenth century, in the years before the Reformation, that English translations of the Bible would be banned.

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Dark blue hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.

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In medieval Britain, the works of Homer were practically unknown. In his absence, the half-remembered story of the Trojan War took on a distinctly Arthurian flavour, with the heroes Achilles and Hector reimagined as armoured knights on horseback, duelling with broadsword and lance.In 1412 the Prince of Wales commissioned John Lydgate, monk of Bury St. Edmunds Abbey and literary heir of Chaucer, to write him an English epic to rival those in the French and Latin. The result was Troy Book: 30,000 lines of decasyllabic rhyming couplets, completed in 1420 and dedicated to its patron—now King Henry V. Lydgate’s primary source was the Latin prose Historia Destructionis Troiae of Guido delle Colonne, with supplementary material provided by Ovid, Chaucer’s Troilus and Criseyde, as well as a variety of obscure Late Latin texts, such as Isidore of Seville’s Etymologiae, and the Mythologiae of Fulgentius.With this edition Troy Book receives its first translation into Modern English, allowing a new generation of readers to view the Trojan War through the eyes of a fifteenth-century Briton. D. M. Smith includes a detailed introduction tracing the development of the Troy myth from the Cyclic Poets to Lydgate and beyond, along with extensive notes on Lydgate’s sources, and the narrative’s relationship with the established Graeco-Roman mythology. Long dismissed as a medieval curiosity, Troy Book is at last restored to its proper context in the literary evolution of the Ancient Greek Epic Cycle.

In medieval Britain, the works of Homer were practically unknown. In his absence, the half-remembered story of the Trojan War took on a distinctly Arthurian flavour, with the heroes Achilles and Hector reimagined as armoured knights on horseback, duelling with broadsword and lance.In 1412 the Prince of Wales commissioned John Lydgate, monk of Bury St. Edmunds Abbey and literary heir of Chaucer, to write him an English epic to rival those in the French and Latin. The result was Troy Book: 30,000 lines of decasyllabic rhyming couplets, completed in 1420 and dedicated to its patron—now King Henry V. Lydgate’s primary source was the Latin prose Historia Destructionis Troiae of Guido delle Colonne, with supplementary material provided by Ovid, Chaucer’s Troilus and Criseyde, as well as a variety of obscure Late Latin texts, such as Isidore of Seville’s Etymologiae, and the Mythologiae of Fulgentius.With this edition Troy Book receives its first translation into Modern English, allowing a new generation of readers to view the Trojan War through the eyes of a fifteenth-century Briton. D. M. Smith includes a detailed introduction tracing the development of the Troy myth from the Cyclic Poets to Lydgate and beyond, along with extensive notes on Lydgate’s sources, and the narrative’s relationship with the established Graeco-Roman mythology. Long dismissed as a medieval curiosity, Troy Book is at last restored to its proper context in the literary evolution of the Ancient Greek Epic Cycle.

This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.

This Norton Critical Edition offers one of the largest collections of Middle English lyrics ever made available to the college student. It is the only anthology which includes all thirty-one English lyrics from MS Harley 2253, all the verses by Friar Herebert printed in Brown XIV, and all the important poems given in Robbins' Secular Lyrics. In all there are 245 lyrics, arranged thematically. To make these delightful poems accessible to the modern reader, the editors have removed many of the orthographic impediments inherent in Middle English verse and have modernized punctuation, capitalization, and obsolete letters while scrupulously seeking to retain the substantive integrity of the poems. "Critical and Historical Backgrounds" are provided in essays by Peter Dronke, Stephen Manning, Raymond Oliver, and Rosemary Woolf. In a special section, six poems are singled out for critical comment by A. K. Moore, Edmund Reiss, D. W. Robertson, Jr., E. T. Donaldson, John Speirs, Thomas Jemielity, D. G. Halliburton, Leo Spitzer, and others. Two of these lyrics, "Maiden in the mor lay" and "I sing of a maiden," are discussed by four different scholars. In all, twenty-five poems are discussed in the essays. The volume also includes a list of Abbreviations, a Table of Textual Sources and Dates, a Select Bibliography, and an Index of First Lines.

This volume is the first to make the Middle English Breton lays available to teachers and students of the Middle Ages. Breton lays were produced by or after the fashion of Marie de France in the twelfth century and claim to be literary versions of lays sung by ancient Bretons to the accompaniment of the harp. The poems edited in this volume are considered distinctly English Breton lays because of their focus on the family values of late medieval England. With the volume's helpful glosses, notes, introductions, and appendices, the door is opened for students to study Middle English poetry and the medieval family alike.

1st edn. 8vo. Original gilt lettered green cloth (near Fine), dustwrapper (VG). Pp. xiv + 295, illus with b&w maps (previous owner's neat inscription on front paste-down).

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Unread book in perfect condition.

Oxford University Press is pleased to announce the complete reissue of all the existing volumes of the Oxford History of English Literature. The set, originally published in thirteen volumes, is soon to be expanded to fifteen volumes with the forthcoming 1990 and 1991 publications of volumes VI, Shakespeare, and Volume XVI, Victorian Novel. Readers can now collect any of the thirteen volumes they missed upon the first publication, while newcomers can obtain the fifteen-volume set all at once. Handsomely presented in matching jackets, some of the books have been retitled for the purpose of the reissue, while the set as a whole has been renumbered for ease of use.

This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.

A new edition, rearranged, revised and enlarged by Henry Bradley.

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

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Various versions of Erthe upon Erthe, mainly in Middle English, with an introduction spanning its history.

This selection of literary texts ranges from the earliest writings in the vernacular up to the time of Chaucer. Spanning almost seven centuries, it encapsulates the foundation and consolidation of literature written in English.